Sunday, June 7, 2015

MASTERPIECE ACADEMY (MLA STYLE ESSAY)

Naiomi Desai
Dr. Preston
AP Literature and Composition
6 June 2015
Masterpiece Academy
            What is a Masterpiece? It is an artist’s best work through the use of various mediums about a topic that the author has passion, knowledge, and dedication on. Montaigne’s use of the word ‘espouse’ creates a sense of the emotions mentioned above and allows the readers to interpret that Montaigne espouses writing. Throughout this year, all of the students, some more than others, have learned to look beyond the typicality of authority and its requirements and focus solely on the necessity of learning and its importance throughout an individual’s life. With experiencing the class by being treated as college students and colleagues by the teacher, the students definitely were given the choice to create a unique atmosphere and set a unique agenda for the class. We were trusted with a great amount of trust and many of us earned it with the amount of hard work and effort that we showed in our work. Even though we didn’t always honor and respect the trust we were trusted with, we were certainly aware of it to an extent.

           

            One piece of work that I read that rang true to me was “The Kite Runner” by Khaled Hosseini. The protagonist, Amir, and the obstacles that he goes through in his life spoke volumes to me because the culture he grew up in was extremely similar to the one I grew up in. Another piece was “The Poisonwood Bible” by Barbara Kingsolver. Even though I do not have siblings for me to connect with the characters of the book to that level, I could still comprehend and sympathize with each of the difficult choices that the characters had to make in their lives. Kingsolver includes the theme of growing up and learning through one’s experiences and all of us could connect because we are in the same situation, learning and rowing up. Finally, the last work that we read in the class, which I could connect with, was “Hamlet” by Shakespeare. I related to Hamlet’s inability to make definite decisions because we are all at the age of adolescence where confusion with self-identification is extremely high. These works even though can be read and related to by any individual, in this era – young adults are the ones that would truly be able to extract the meaning behind the plot, themes, characters, etc.



 


            This class reconnected me to my passion of writing through all the creative writing assignments done in class, especially the masterpiece. I was able to get back to poetry and write lyrics to a song and then sing it to present it in front of an entire class. Initially, I wanted to major in literature to continue my passion but I have decided to write personally, for my self, and learn and grow from there by having an audience read it once in a while.



            The process of Open Source Learning itself has made me laugh out loud throughout the year, not because it is ridiculous or unreasonable but because such a technique is available, where a students’ thoughts, opinions, and preferences are taken as much into account as the authority’s, if not more. It almost seems unreasonable and unrealistic to be true but this class proves as a stepping-stone for the other traditional environment classes to follow. One criticism that I do have is for a little more motivation provided for the students by the teacher. This motivation can be in form of a grade or an award but it would definitely increase the participation of students and their enthusiasm about learning.



               Most of the Masterpiece presentations had one unifying theme: journey. Whether that journey was of life, high school, learning, growth, community, etc. The theme of journey then connected all the classmates in a manner that might not have been possible otherwise. The first example is obviously mine. My masterpiece was, me trying to unite the seniors and attempting to pull them out of a stressful and mentally and psychologically requiring year. In attempt to do that, Jisu and I wrote a song with a video that depicted any typical high-school student’s journey from a nerdy, scared, and confused freshman to a confident and definite senior. Another example of journey is Shailynn Joseph, when she made a video about herself and how she became who she is. A similar video was also made by Susel Garcia, who started the video out with herself as a little girl and showed herself growing up. Two more examples are those of Lillyana Navarette and Millicent Angulo. Both of these young women used the theme of journey to describe how they came to be passionate about what they are: medicine and basketball. Lilly shared personal stories while Millie used a family tree to come about it.




            I have always been taught to consider myself as somebody who’s a learner: a zero in the world. My dad always says that if you consider yourself a hero, then the chances of you learning and being passionate about acquiring knowledge in life will be close to nothing. I learn from a toddler all the way up to my elders. Everyone and everything, even, has something to teach: it’s a matter of our perspective that allows us to learn and what we learn. I have found a mentor ever since sophomore year; but this year, she did help me with college and scholarship applications. I am not a hero. I am merely an ordinary person, who’s getting through day to day problems and becoming more experienced with each obstacle.



            The journey of life is like the rain: unexpected but a necessity. It’s necessary to be in pain. It’s necessary to have problems. It’s necessary to be in the heat because a human being is a traveler in the world. With heat comes shade. With journey comes rest. With pain comes happiness. You just need the determination and hard work to keep moving. It’s the traveler’s job to keep walking.






MY MASTERPIECE



Incorporating writing with music to describe high school journey of every person!

Song: Black and White
Remixed with: I see the light (Tangled)
Written, sung, and created by: Jisu Yoon and Naiomi Desai

Wednesday, April 29, 2015

SONNETS


  • Shakespearean sonnets are two quartets and then a couplet.
  • Patrarchan sonnets are divided in an octet and a sestet.
  • The sonnet is a satire to the Patrarchan sonnets - which are more romantic and idolizing.
  • It changes tone at the last couplet from criticizing and insulting the woman Shakespeare loved to praising her and accepting to love her for the way she was.
  • The "shift" is visible because of the time change but also, coincidentally, the rhyme scheme also changes - making it more obvious.

Tuesday, April 28, 2015

EXTREME CHARACTERS

I liked the journal topic for today so I decided to post about it instead of writing it in my journal because I know that if I write in that little book, no one is going to be able to see or read it. So here it is:

Extreme characters: what are they? Crazy? Over dramatic? Unrealistic? I would say they're personas that we can learn from in modern world. I consider them to have personality of somebody not afraid of their opinion and their goals. They're certain. They're sure. Lady Macbeth was crazy, true. She was evil, true. She was psychologically unstable, maybe. But she was someone that none of us can be nowadays: definite, confident, and even manipulative (which all of us need at some point in our lives but don't have it). I believe that extreme characters allow us to view the world in a more acquiring sense: making us believe that it depends on us and our efforts and desires to achieve anything as long as there's perseverance and future vision involved in it. En finale (yes, I'm aware that this probably does not exist now, but hey, I could start it!), extreme characters are what you wish to be - positively, of course (I'm not a psycho, I promise!) - but is not  realistic to ever be that way.

Thursday, April 23, 2015

ACT 4 STUDY QUESTIONS

4.1
1.  There are 3 witches in this scene.
2.  The first apparition says to be wary of Macduff and careful of him.  The second tells Macbeth he should be a strong willed ruler- bold and brace.  In other words he should not accept defeat.  The third warns of attacking armies coming, and tells Macbeth he won't be defeated until the kingdom of Norway attacks.
     Macbeth doesn't feel safe after the apparitions.  He has worries about Macduff's intentions and the possibility of an oncoming attacking army.  Yes he should feel unsafe because he is in a very precarious position.
     After the fourth, the line of kings, Macbeth is terrified.  He saw the ghost of Banquo at the end, whom he killed.  This frightened him as well as drawing out his guilt.
3.  In line 158 Macbeth learns from Lennox that Macduff is running away to England.  In response Macbeth decides to send someone try to kill as many of Macduff's family members as he can.
4.2
1) Lady McDuff seems to feel betrayed and angry at McDuff because he left them (her and her son) to die. She was advising her son to dislike his father because he fled when he discovered that Macbeth is planning to kill him.
2) The purpose of the scene between Lady McDuff and her son is to have his son have false impression about his dad. Also, the scene assists in the growth of the theme : fair is foul and foul is fair. This is because Macbeth is willing to kill McDuff in order to achieve what is"rightfully" his and McDuff fled, afraid of Macbeth's actions towards him. It also shows how McDuff's son refused to believe that his father left them to die, showing devotion, faith, and trust.
3) The entire McDuff family ends up being killed by Macbeth.
4.3
1. Macduff's family has been killed. 
2. Malcolm doesn't want to go home because he's afraid of judgement since he ran away. Malcolm is suspicious of Macduff bc Macduff has his own personal agenda. He might be secretly working for Macbeth since he left his family. Malcolm tests Macduff's loyalty to him and he passes. When Macduff starts to leave Malcolm takes back the lies he's told and trusts Macduff now- they're now allies. 
3. Malcolm says he's a bad king but Macduff says Macbeth is a way worse king and that he needs to return to restore peace and justice. Avarice bothers Macduff more in a king, it sticks deeper with kings in the terms of greed and lust.
5 coming soon...
6. Ross tells Macduff that his family is dead, it takes him a while to tell him. Macduff says they must save their grief for later and Malcom says to turn their revenge into a medicine for their grief. Macduff says "he has no children" and he is referring to Malcom because he says he needs to mourn and "feel like a man" when Malcom tells him to dispute it like a man. To be a "man" in this play means to have feelings and don't hide but don't let them cloud your judgement.
7. Malcom, Macduff and Ross are ready to attack Macbeth's castle, they just need to go there.

Thursday, April 16, 2015

ACT II STUDY QUESTIONS

2.1
1.The opening gives a sense of forboding, things are not as they should be. The discussion serves to have Banquo acknowledge the weird sisters rather than claim they are a hallucination. 
2. Macbeth is extremely stressed about having to Duncan and he is attempting to talk himself into committing the deed. He talks about it as if he is in a haze, a dream and he continues by making it a reality and committing the deed.

2.2
Coming soon
2.3
1) The porter, in the third scene of act ii, is drunk and is pretending to be the Porter of the gate to hell. In the play, Macbeth has the trait of equivocation, where he manipulates his listener by circumlocution and the expectations of the other person without actually committing. For example, he does this when Lady Macbeth asks him to kill King Duncan.
2) The thematic function of Lennox describing the night as unruly was because that night was when King Duncan was killed by Macbeth. It was "unruly" not only for King Duncan but also for Macbeth because the guilt and fear of getting caught will always make him say and do things that might be suspicious, dark, and unruly. The scene is necessary to show Macbeth's transformation from the character before the murder vs. the character after the murder. This also connects back to what the witches had said earlier in the play: Fair is foul and foul is fair.
3) Macduff reports that the king has been murdered. Lady Macbeth appears to be horrified that this act could take place on his household. Macbeth is in encaged and kills the chamberlains. Malcolm and Donalbain decide to flee Malcolm and will go to England and Donalbain will go to Ireland. They're fleeing because they fear they will be murdered.
2.4
1. The function of the dialogue between Old Man and Ross is to discuss the strange happenings that have been occurring such as how an owl killed a falcon, the horses went wild and are one another, and several other things.  This wicked behavior symbolizes and foreshadows the promotion of Macbeth to the thrown. 
2. Macduff tells us from the castle that Macbeth has been made king by his fellow lords and that he will travel to Scone to receive the promotion and get crowned. He tells us that Malcolm and Donalbain are suspected of the murder of Duncan. They are suspected because they fled the scene.

Wednesday, April 15, 2015

MACBETH: CHARACTER MAP

A character map that I absolutely loved is this one:
http://www.anoisewithin.org/wp-content/uploads/downloads/2014/01/ANW_Macbeth_Character_Map.pdf
The content is straight and to the point without digression and also its structure is easy to get a read on.

This link might not be the best one in terms of credibility but it does have content that's easy to understand and analytic enough for the readers to get a grip on Macbeth.
https://www.google.com/webhp?sourceid=chrome-instant&ion=1&espv=2&ie=UTF-8#q=Macbeth+character+map

This one is basic but helps in getting the characters "unmixed-up"
https://accf78fc-a-8e141b81-s-sites.googlegroups.com/a/puhsd.k12.ca.us/mrs-smith-english/Home/english-10/macbeth/macbethcharactermap.jpg?attachauth=ANoY7cpO09PQaEvNhbRbljiiIpksmOF0sDSJReT0OHNhMwO4tJPdTbHMztM7sk_nBf6rxY9U6CvaAHA9w6lzg6Axol6F2yrypVP100ZNFV7wq2yIB2us6A7rqCOQEirVCk1tYlLqqOLZAzQ3o7qQttJotT-lgg48YuzTmn7oU7chPRBLbhoNhZw1kvAXInJwZul-2DT_peLSTrAhFYec2uprqESJFzmRQF-JtlFRLQZtSudiTUb9MEXnUsOriCNHCWo4ZoWFtVBiwE7pqopYpF40jjEhKQFjMQ%3D%3D&attredirects=0

WHAT ABOUT MY MASTERPIECE?

As earlier mentioned, Jisu and I are writing a song as a "research" project to determine the audience's reaction based on different means of media the song is presented through. Since the AP tests are right on the curb, our attention and priority has slightly shifted. But what we both are discussing is a way to record (not necessarily on camera) the audience's reaction and either take Dr. Preston's help in publishing it or post it on our blogs and request the audience to review it and give feedback by commenting. We are also expecting help from Laura and Pete from London in organizing this project together. Finally, we are planning to contact Nevada - an extremely talented film student in Righetti - to help us put together a video that broadcasts emotions of our song!!

LOVE IS BLIND

Macbeth's perspective of Lady Macbeth vs. the audience's perspective on Lady Macbeth are foils of each other because of multiple reasons. First, the audience are aware of a different personality of her because of a dramatic irony presented to them by Shakespeare. Second, Macbeth is personally attached to her while the audience are not. As cliched as this sounds, love makes a man (or a woman) do anything to receive the other's love and respect. Lady Macbeth has always been insulting Macbeth and not valuing his bravery by calling him a coward, doubting on his masculinity, and referring to him as innocent and too kind. Macbeth, tired of this and having the motivation, anger, and determination to prove himself and his worthiness, agrees to do whatever Lady Macbeth asks for him to do. Third, the craziness and viciousness that the audience refer to is actually an over exaggerated desire of Macbeth mirrored in front of him. Even though he;s unsure and afraid to support his wife to kill the king, his desire and passion for the power to become a king brings out a selfish man who is willing to commit a crime if shown the path. 

ACT I STUDY QUESTIONS NOTES


  • Intimidating and ominous - the mood created by having the witches and their dialogue as the initiation of the play.
  • Shakespeare have foreshadowing about Macbeth without "beating us in the head with it."
  • Their [Macbeth and Lady Macbeth] lack of remorse isn't completely irrational. According to the culture, it's "normal."
  • Do: extremely important in the play. No "to be or not to be" moment for Lady Macbeth.
  • Macbeth knows that Banquo will not share the same opinion about his actions as him. So instead of telling him, he talks to the audience because they would be the more entertaining and supporting.
  • Lady Macbeth - presented as the anti stereotypical manner.
  • Lady Macbeth has her mind set about her plan but Macbeth is still confused and wondering.
  • Lady Macbeth has no fear, almost as close as a psychopath.
  • If you're hosting someone, you're responsible for their safety.
  • Macbeth similar to Hamlet: to be or not to be.
  • Macbeth sternly opposes to Lady Macbeth about her plan. He believes that if it's meant to be, it will happen one day. Lady Macbeth calls him a coward, not a man enough.
  • Dagger: symbolic of betrayal and symbolic of death.
  • "False face must hide what false heart doth know."

Tuesday, April 14, 2015

ACT I STUDY QUESTIONS

1) Beginning the play with a dialogue between the witches sets the mood to be dark, evil, and mysterious. This foreshadows the plot, theme, and mood for the future of the story in the same manner. In comparison of Shakespeare's other plays, Macbeth requires more ambiguity and the syntax and diction used needs to be more bleak. For example, Hamlet highlighted the themes of betrayal and complexity of relationships and power. Even though, the theme falls in the same ballpark with Macbeth, the gloominess of the plot of Macbeth overpowers that of Hamlet. In the beginning of the play, the witches were going to meet Macbeth at the "ere of sunset." Line 10 was "Paddock calls" and line 11 was "Anon." The phrase paddock class means a toad, which symbolizes transformation. The word anon means soon or shortly. The "toad" and it's transformation could metaphorically be compared to Macbeth and his evolving and transforming to be a completely different person or even having a transformation in his status and power. The witch's response as anon signifies how Macbeth will shortly have a transformation - to be declared a thane.
2) 1. The bloody seargent indirectly characterizes Macbeth by glorifying his actions towards Macdonwald. Macdonwald is a rebel who was executed. He tried to attack them. Macbeth executed macdonwald with his sword. This did not end the fight with the rebels, the Norwegians are still attacking.
2. The traitor was the Thane of Cawdor, as we learn from Ross. Duncan says that its a relief the thane of cawdor was executed and that Macbeth now owns his previous title.
3) 1. The witches speech gives a first look at Macbeth and his wife without saying who they are. Indirect characterization of the two. Similar to Hamlet where he gives a mini synopsis early in the story. "Weird" in Shakespeare's day meant future seers not weird as we know it, prophecy and destiny. Shakespeare means that Macbeth's wife has him by the balls. They  cast a spell to control his destiny. 
2. Macbeth says something very similar to what the witches said at the beginning of the play. This could be him falling into the destiny the witches set up. Dried, chapped fingers, gender ambiguity, hairy, old, they have literal beards. The witches tell Macbeth that he will thane of Candor and eventually King, right then he finds out he is thane of Cawdor. Banquo asked the witch why they had nothing for him, they told him he is lesser but greater than Macbeth. We knew he was thane before he was thane.
3. Banquo says the witches were a figment of their imagination that they lie or that they are hallucinating. Macbeth learns that he is thane of Cawdor from Ross and Angus. During lines 114-156 he was going over his plan in his head and how everything had just happened to him. He acts very happy and shows no incredulity at being thane. Macbeth's aside shows him rationalizing what happened to him and he begins to think that he is going to be King soon. Macbeth tells Banquo that he is happy and excited and nothing more he explains his behavior by saying he is confused.
4) 1. Cawdor was executed after openly confessing his treason and pleading for mercy. Malcolm tried to stick up for the thane, but the king responds by basically saying that you can't trust a man according to his face. He doesn't believe the thane was truly repentant.
2. The king greets them by saying that he can never repay them enough for their good deeds, but announces he will leave all his estate and names his son, Malcolm, prince of Cumberland. He then proposes that they go to Macbeth's castle at Inverness. Macbeth tells himself that the only way to be king is to get rid of Malcolm, and even though he'll be appalled at his action, he must do it.
5) 1. Macbeth was honest with his wife when he informs her of his new title as "Thane of Cawdor." He refers to the witches as "weird sisters" probably because he doesn't want her know that he is associated with the "evil servants."
Lady Macbeth responds by saying that she thinks Macbeth is playng things off as if everything is fine. By saying "but be the serpent under't", she describes him as someone that lies to make everything appear under control. This doesn't really match the characterization of Macbeth so far in the story which implies that there is something the audience doesn't know about him. 
6) 1. The opening speeches (1.6.1-10) describe how the surroundings of the castle are "pleasant" and the air is sweet-maybe even too sweet. From the outside, the castle appears to be paradise.
Lady Macbeth's welcome is formal. Her language is totally different from her language in the previous scene which shows how fake and dishonest her welcome was.
7) 1. "If it were done when 'tis done then 'twere well." If it were done when it was done it was done well. (Meaning if he completed the death quickly and efficiently and with no complications then he did the job well.) Macbeth is determined to kill the king and be done with him but in lines 1-12 he is fearful of how the "inventor" will judge his actions. He's violating the hospitality of his kinship and responsibilities as a host towards his guest by trying to kill his guest instead of protecting them. The motivation that Macbeth attributes to himself in lines 25-28 is the attribute of an Arabic heaven-like God. He will be seen as a "God" and that is his source of motivation to get the job done. 
2. In lines 28-30 she is complaining about him leaving the chamber because it was  almost time for dinner. Macbeth responds to her complaining by saying did he ask for me? And lady Macbeth says don't you know he did? The positions are lady Macbeth is ready for the King to be killed while Macbeth is still hesitant and on the fence about it. Macbeth convinced Lady Macbeth by explaining that he is an respected person and doesn't want to lose his honor while Lady Macbeth convinces Macbeth by convincing him to gain the power and kill the king. The stronger person in the scene is Lady Macbeth because  she's more verbally confident in her argument while convincing Macbeth to kill the King.

Monday, April 13, 2015

MY MACBETH RESOURCES

1) The Tragedy of Macbeth: Open Source Shakespeare
https://www.google.com/url?sa=t&rct=j&q=&esrc=s&source=web&cd=14&cad=rja&uact=8&ved=0CGgQFjAN&url=http%3A%2F%2Fwww.opensourceshakespeare.org%2Fviews%2Fplays%2Fplaymenu.php%3FWorkID%3Dmacbeth&ei=YRwtVYeuLdSmyASoxYGAAQ&usg=AFQjCNHI_Wl_vTWJlUlcl_fCtwOM6n53sw&bvm=bv.90790515,d.aWw

2) Macbeth the play by William Shakespeare
https://www.google.com/url?sa=t&rct=j&q=&esrc=s&source=web&cd=13&cad=rja&uact=8&ved=0CCoQFjACOAo&url=http%3A%2F%2Fwww.william-shakespeare.info%2Fshakespeare-play-macbeth.htm&ei=Tx0tVZDzKomxyATr-IG4Dg&usg=AFQjCNGOwn6OFD7HmYruk5HV0dv5mL0PPQ&sig2=Nb7j-1QVyKlP6sB9LYWZsA&bvm=bv.90790515,d.aWw

3) Macbeth with Ethan Hawke
https://www.google.com/url?sa=t&rct=j&q=&esrc=s&source=web&cd=21&cad=rja&uact=8&ved=0CB0QFjAAOBQ&url=http%3A%2F%2Fwww.pbs.org%2Fwnet%2Fshakespeare-uncovered%2Funcategorized%2Fmacbeth-with-ethan-hawke%2F&ei=hh0tVeDlJ86tyASAtYG4BA&usg=AFQjCNHbqTMI9va87M1jTx8V2_oeu4kL8Q&sig2=hPB77svWCwUAI7OMiH4W1Q&bvm=bv.90790515,d.aWw

4) Macbeth: Folger Shakespeare Library
https://www.google.com/url?sa=t&rct=j&q=&esrc=s&source=web&cd=28&cad=rja&uact=8&ved=0CEcQFjAHOBQ&url=http%3A%2F%2Fwww.folger.edu%2Fmacbeth&ei=hh0tVeDlJ86tyASAtYG4BA&usg=AFQjCNEXD2SBecDf4d7nH9ccr2hc2rv8Ew&sig2=9z7zMGVZBYQ0SGrPfs834Q&bvm=bv.90790515,d.aWw

5) BBC Two - Shakespeare unlocked
https://www.google.com/url?sa=t&rct=j&q=&esrc=s&source=web&cd=41&cad=rja&uact=8&ved=0CB0QFjAAOCg&url=http%3A%2F%2Fwww.bbc.co.uk%2Fprogrammes%2Farticles%2FbsdCx8bV7F3NBX5N67YdZc%2Fmacbeth&ei=BB4tVfDPK8qpyASfzIDgDg&usg=AFQjCNEi4MmvErNlmRhyYvpS7q8PdcGXxw&sig2=mKs49UN_UST1-vNoJHDLaQ&bvm=bv.90790515,d.aWw

MEET MACBETH

1) Macbeth was introduced mostly through indirect characterization when the other characters began to describe and talk about him. A quote having a direct  bastardization for him is: "For brave Macbeth well he deserves that name disdaining fortune, with his brandish'd steel, which smoked with bloody execution."
2) Fair is foul and foul is fair
3) To provide exposition, Shakespeare has his characters converse - have a dialogue - with each other and discuss a character that has not been introduced yet. With a certain way of talking abs the diction used in the conversation serves as a means to foreshadow future events.
4) The tone while describing Macbeth is that of admiration.
5) 

MACBETH: HERE WE COME ("INTRODUCTION")


  • Great chain of being:
  • Elizabethan world order and great chain of being is a big part of the plots of the literary works.
  • At the time, people were really searching for something that made sense.
  • Shakespeare had to please his audience: a very fine line for his work.
  • Fair is foul and foul is fair.
  • The devil was very real for the people at the time.
  • Characters of witches viewed as entrapments; witches were assumed yo have fairly real powers.
  • Was loosely based on factual, real life event.
  • "Come what come may,
    Time and the hour runs through the roughest day."

Monday, April 6, 2015

BRAVE NEW(OLD) PROMPT FOR "YOUNG GOODMAN BROWN"


POETRY ESSAY PROMPT AND THEN, WELL, ESSAY!

The prompt I chose to write my essay for the poetry "Woman Work" is: Read the poem carefully and then write an essay in which you analyze how the poem reveals the speaker's complex conception of a "woman's world." This prompt was in 1998 AP Exam.

I believed this prompt to be perfect for the poem I chose because they both [poem and the prompt] not only talk about the stereotypical world of women around the world but somehow encourage the readers to find evidence that proves the "world" to be a misconception. The prompt also focuses on discovering a "solution" to the "problem" about the work that women do.

MY ESSAY:

            Who is a woman? A mother. A cook. A cleaner. A maid. A housewife. Maybe even a slave. The duties of a woman have been specifically stated in the “Bible” of society. Ever since the establishment of human race, women were believed to be the workers of the house. In “Woman Work” by Maya Angelou, Angelou describes the contradictory personalities between the expected woman and a true woman by using metaphors, fragmentation, personification, and point of view. With the use of each of these literary elements, Angelou creates a sense of guilt in the readers’ minds and evokes the feelings of sympathy and empathy for the protagonist woman of the poem.

            Beginning the poem with a long list of chores that the woman has to perform, Angelou sets the mood to be busy and rapid. The first person point of view allows the readers to have the sense of identification towards the protagonist. The over simplistic manner in which the author lists all the duties is a dichotomy to the motif of the poem, which is the complexity of a woman’s character and her world – where she is tired yet has not done physically challenging works; she is bored yet she is busy almost the entire day; she seeks love and appreciation but finds nobody around her to provide it to her; she seems and is expected to be contended yet finds herself to be searching for a smile, a place to rest, and a sense of beautification.

            The woman of the poem can be characterized as a complete yet an incomplete woman. The two definitions of the two women are visible from the comprehensiveness of the first stanza of the poem versus the fragmentation of the last stanza: “Sun, rain, curving sky / Mountain, oceans, leaf and stone /star shine, moon glow / You’re all that I can call my own.” Angelou uses the nature and its “inhabitants” – sun, moon, stars – as metaphors for the family members of the woman that she has been searching for but never seems to find them: “Shine on me, sunshine / Rain on me, rain / Fall softly, dewdrops / And cool my brow again.” This metaphor becomes even more powerful when the author uses personification to bring the nature to life: “Fall gently, snowflakes / Cover me with white / Cold icy kisses and / Let me rest tonight.” The repetition of “Let me rest tonight” gives the readers the impression of an emotionally tired yet a physically active woman.


            The author’s utilization of her tone and the first person perspective results in an analytic and deep poem with one single protagonist juxtaposing the complexity of her life and her own desires. The author highlights a “woman’s world” through highlighting her work. The societal inability to comprehend a woman’s desires and the intricacy involved to lead such a life is implicitly addressed through the use of nature as the only supporter of the protagonist. A woman is much more than a mother, a cook, a cleaner, a maid, a housewife, or a slave. She is strength, she is power, she is intelligent, and she is capable: she only needs, wants, and asks for love and support.

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Wednesday, April 1, 2015

JOURNAL TOPIC FOR TODAY

First of all, I would like to apologize to Dr. Preston that I forgot my journal notebook at home since I switched my backpack. I would like to do today's journal on my blog.

I think with the pace and speed at which the life is moving forward for everybody with stress and pressure. I mean, I found white and gray hair in my age, which obviously is due to all the stress that surrounds me as a future college student. I think having someone make a fool out of you without offending you and having a laugh alleviates the tension in everyone's life. So I think it doesn't matter who you are, intelligent or average, freshmen or senior, everybody loves a little humor and a little stress reliever in life. And we don't want it to be so regular that it becomes boring and annoying - hence, only one day. Therefore, I would honestly really appreciate if I was a "victim" of April fools day!!!

Monday, March 30, 2015

TPCASST POETRY ANALYSIS: WOMAN WORK BY MAYA ANGELOU

Title: The title of the poem is actually very self-explanatory! The poem is about all the responsibilities of a woman, no matter what the nationality and what era she belonged to.

Paraphrase: The first stanza of the poem, the author basically lists all the chores that a woman has to complete everyday. In the later stanzas, the author focuses more on the natural beauty of the world and a woman relying on the nature to make her feel beautiful and calm.

Connotation: Some of the author's diction that stood out to me was her use of 'sun,' 'rain,' 'wind,' 'stars,' 'moon,' etc. All these have a certain connotation to it: power, destruction, royalty, beauty, etc. I like how the author uses the beauty and innocence of nature to resemble the beauty and innocence of women.

Attitude: Through the shift of tone of the author from straightforward in the first stanza to more soothing and hopeful in the next couple stanzas proves how the author wasn't focusing on highlighting the monotonous life of a woman (although it certainly seems so in the first stanza). In fact, the author, according to me, was proving how it depends on one;s perspective to find the optimism in one's own life. Instead of complaining about how many responsibilities a typical woman has, she asks nature to make her feel free ("Let me float across the sky"), calm ("And cool my brow again"), loved and appreciated ("cold icy kisses and/Let me rest tonight"), and accepted ("You're all that I can call my own"). The author was attempting to influence the readers by sharing how a woman only seeks basic needs and abstract "materials" in return of all her hard work but is unable to get it from her loved ones and so satisfies herself by gaining it from nature.

Shift: There is one shift in the poem and I addressed it more in depth in the attitude section but briefly, it is right after the first stanza - when the author shifts from listing a woman's duties to her expectations in return.

Title revisited: The only thing that stood out to me about the title after the analysis was how the title was talking not only about the physical work that a woman does but also the "work" that she performs to gain the emotions and abstract things that she rightfully deserves.

Theme: I think the theme of the poem, for me - personally, was to reward yourself for your own work, regardless of whether others addresses or acknowledges it or not.

Sunday, March 29, 2015

LITERATURE ANALYSIS: A THOUSAND SPLENDID SUNS BY KHALED HOSSEINI

1) Briefly summarize the plot of the novel you read according to elements of plot that you've learned in the past courses. Explain how the narrative fulfills the author's purpose.
a) Introduction/Exposition: The novel begins with the introduction of one of the protagonist, Mariam. The author then gives the background of Mariam and her mother and how Mariam was an illegitimate child of Jalil.  
b) Rising Action: Begins when Mariam was married off to Rasheed, 30 years elder to her. Mariam was unable to conceive seven times and so Rasheed became abusive.
c) Conflict: Women discrimination and abuse by men.
d) Climax: When Rasheed gets killed by Mariam.
e) Falling Action: After Rasheed is killed, Laila and Mariam both bury him and then think how they can escape. Mariam sarifices herself and asks Laila to escape.
f) Resolution: Mariam is executed by the Taliban and Laila leavs to live in Pakistan. At the end of the book, Laila realizes the sacrifices of her parents and Mariam and decides to go back to Kabul.

2) Succinctly describe the theme of the novel.
The theme that's been highlighted in the entire novel is women discriination. Since the beginning of the book, women were shown to be degraded by men. Jalil degraded Mariam's mother and blamed the cause of birth of Mariam to be her fault. Mariam was married off by her own father to a man 30 years elder to her. When Mariam was unable to conceive, Rasheed had beaten her, blaming her for it. Towards the end, Mariam was killed even though it was self-defense when she killed Rasheed.

3) Describe the author's tone. Include a minimum of three excerpts that illustrate your point(s).
The author's tone was serious yet hopeful. Whenever a hardship was shown towards the women, his diction and sentence structure along with the dialogue between the characters created a sense o hope or the audience - hope that it, somehow, will get better or the women in the book. But the women who tried to stand up against the discrimination ended up hurt, either emotionally, physically, or both.

4) Describe a minimum of ten literary elements/techniques you observed that strengthened your understanding of the author's purpose, the text's theme and/or your sense of the tone. For each, please include textual support to help illustrate the point for your readers.
1) Foreshadowing: "Mariam smelled him before she saw him. Cigarette smoke and thick, sweet cologne, not faint like Jalil's." (Pg: 47)
2) Allusion: The Title: received from a line from a poem written by a Persian poet Saib-e-Tabrizi.
3) Imagery: "With one finger, she had poked the taut, shiny skin just below his left knee. Her finger had found little hard lumps there, and Tariq had told her they were spurs of bone that sometimes grew after an amputation." (Pg: 118)
4) Irony: "'Lovely guns!' he yelled. 'Fabulous jeeps! Fabulous army! Too bad you're losing to a bunch of peasants firing slingshots.'" (Pg: 131)
5) Flashback: "Mariam was five years old the first time she heard the word harami." (Pg: 1)
6) Onomatopoeia: "There was a click at the other end, and Mariam thought he had hung up." (Pg: 276)
7) Metaphor: "'To Jalil and his wives, I was a pokeroot. A mugwort. You too and you weren't even born yet.... A weed, something you rip out and toss aside.'" (Pg: 8)
8) Simile: "His harsh, raspy voice reminded Mariam of the sound of dry autumn leaves crushed underfoot." (Pg: 48)
9) Characterization: "She limped and huffed her way across the clearing and made a great show of rubbing hip and lowering herself, with a pained sigh, onto the chair that Nana pulled up for her." (Pg: 15)
10) Point of View: "Mariam backed away. She was hyperventilating. Her ears buzzed, her pulse fluttered, her eyes darted from one face to another." (Pg: 61)

CHARACTERIZATION:

1) Describe two examples of direct characterization and two examples of indirect characterization. Why does the author use both approaches, and to what end?
"Mariam was five years old the first time she heard the word harami." (Pg: 1) - Direct Characterization
"The women in his part of Kabul were a different breed from the women in the poorer neighborhoods - like the one where she and Rasheed lived, where so many of the women covered fully. These women were - what was the word Rasheed had used? - "modern"." (Pg: 67) - Direct Characterization.

"The trip was Babi's idea. Though he could hardly afford it on his salary, he'd hired a driver for the day. He wouldn't disclose anything to Laila about their destination except to say that, with it, he was contributing to her education." (Pg: 131) - Indirect Characterization
"'I want to marry you, Laila.' For the first time since they were on the floor, she raised her eyes to meet his. She searched his face. There was no playfulness this time. His look was one o conviction, of guileless yet ironclad earnestness." (Pg: 165) - Indirect Characterization.

Hosseini uses more Indirect Charcterization than Direct Characterization because he wanted to leave the choice to the readers to decide the characters' personality. He seems unbiased when he does this because the sole responsibility of deciding the characters' intentions rely on the readers, not on him.

2) Does the author's syntax and/or diction change when s/he focuses on character? How? Example(s)?
The author's syntax or diction don't necessarily change while focusing on one character but it still has a different tone when he focuses on Mariam compared to when he focuses on Laila because his point of view is third person limited.

3) Is the protagonist static or dynamic? Flat or round? Explain.
The protagonist(s) is dynamic and round because both Laila and Mariam evolve as characters from naive and innocent young girls to mature, understanding, bold, and independent women. Even though Mariam ended up dying, her legacy lived with Laila continuously evolving to be a better person.

4) After reading the book did you come away feeling like you'd met a person or read a character? Analyze one textual example that illustrates your reaction.
After finishing the book, I came away feeling as if I met a person because Mariam and Laila both were typical women found in a culture similar to that of in India. With girls having the impression of being inferior to boys, the development to become an independent woman without any fear and being strong is difficult and praiseworthy.

TOBERMORY EXPLAINED

As I began to read the story, I had the urge to research the author and his biography and what could have motivated him to write the way he does. I also wanted to clarify if he had a  specific style or theme he focused on. While on his wiki page, I found a link to Tobermory and I read the summary of the ahead of time. Even though the summary did not offer me the in depth analysis that I needed, it did "foreshadow" the next step in the story. Based on reading it and looking at Saki's tone whole characterizing Mr. Appin. The fact that Mr. Appin's first name was Cornelius is also important: it is known that Cornelius, as a name, describes "a man full of good works and alms-deeds."
I thought the author's tone towards Mr. Appin was that of a ridicule; he seemed almost to be mocking Appin to such an extent that it could've been taken as an insult. I also thought that based on how Appin believed himself to be so intelligent and curious that the situation was similar to "curiosity killed the cat." The quote at the very end of the story might also be viewed the same way. If modifications, development, and opportunity are not given a chance to be achieved, then the path to acquire them would "die" like Mr. Appin did. So, since he tried to introduce change and was not as successful, he got what he deserved.

Tuesday, March 24, 2015

MASTERPIECE PROGRESSION AND PASSION

As Jisu, on her blog, and I might've mentioned, we are taking the help and mentorship of Laura and Pete to construct a song and present it in front of the class(es) in such a way that we evoke different emotions.

Currently, we are still awaiting Laura's reply on what time and schedule would work for them to do a Skype with us.

My passion to do this comes from the desire to somehow unite everybody in a manner that will bring satisfaction and happiness. I would like to, somehow, attach a string by heart that will stay connected and keep affecting their own lives and the lives of people around them!

Sunday, March 22, 2015

"BRAVE NEW WORLD" ESSAY

            Order and control are two powerful concepts of life and the literary work “Brave New World,” when an individual’s freedom to live, feel, and be curious is stolen away by a powerful authority. Huxley introduced multiple characters in the book that depict different personalities in the real world and by doing so portrayed a fictional plot with glimpses of reality visible to create awareness on behaviors that might result in a “Brave New World” of the society. One of Huxley’s characters, Bernard, defines a true human because he has weaknesses and imperfections, both physically and emotionally, which are the basis of humanity. So, with the stateworld having order and control over the mentality and physicality of Bernard and all the other characters, they are unable to evolve as a human being and as an individual.

            To create an effective mood to the book to convey his theme with great effect on the audience, Huxley uses literary techniques such as characterization [to develop or anti-develop his characters], figurative language [to create a more realistic setting and world], irony [to have a strong effect of difference between characters and setting or characters and plot], and juxtaposition [to depict dissimilarities among multiple characters]. Bernard’s curiosity and dislike towards the authoritarian system of the stateworld made him a character who’s inwardly questioning the concept and function of the “Brave New World” while outwardly conforming to the “suggestions” by his peers and bosses, pushing the questioning deeper into his mind and into the corner of his heart by taking soma, a drug that basically makes one unaware of the reality surrounding them and makes them unreasonably happy.


            Huxley created Bernard to be an extremely bold and strong but simultaneously a weak and afraid individual. Bernard, in himself, is a juxtaposing character – able to speak his mind but unable to take an action based upon it. It is an irony that such an important character in the story is observed to be inactive. Even though Bernard was characterized in a way that he’d rather take soma in a pressurizing situation than face it like John, a foil to Bernard, who at least had the courage to kill himself to prove his disappoint, Bernard is the perfect character for Huxley to use as an epitome of human nature. Through Bernard's fear and uncertainty about himself and the significance of his reaction against the authoritarian stateworld, Huxley highlighted the key characteristic of human nature: imperfection, leading to growth. With the gradual gain of self-confidence, growth is inevitable for an individual and humans as a species - a path towards perfection, which is almost impossible to achieve. With describing the stateworld and the manufacturing of "life" in it, the competitive attitude expected out of the inhabitants of the factory described how humans are expected to fight for their "resources" and attain perfection.

            Bernard represents a normal human being: too afraid to react too spontaneously based on instincts but curious enough to ask the "prohibited" questions. The outcome is an individual who is physically and externally conforming and adapting to the environment and people around him but emotionally and internally questioning not only his existence in the world he's living but also the existence of the world around him and its system. Huxley, through his literary techniques wrapped around Bernard and his plot and setting, exposed the public to an extremely important question and theme: How can growth and perfections be achieved, by overcoming weaknesses and imperfections, if the society is controlling the individual and preventing him from asking the essential questions necessary to achieve satisfaction and aim for perfection? In situation similar to this, the society will become a "Brave New World" and the inhabitants, Bernard: a functional heart but dysfunctional brain. 

SEEKING MENTOR


  • Based on the article, I learned that a Mentor not only has to be someone you're comfortable around but also someone who is willing and able to speak their mind clearly - whether it being a criticism or a "pat on the back."
  • Some questions one can ask to begin their search for a mentor can be as simple as, are they from the same field as of me, or as complicated as, will they provide me with as many resources, experience, and insight to achieve the same kind of success that they were able to.
  • Also, one should make sure that the Mentor is educated and knowledgeable enough to seek and provide solutions to questions and problems that a Mentee has.

Tuesday, March 10, 2015

BRAVE NEW WORLD: TEST QUESTIONS

Some questions that we discussed as a class and some questions I have for the test are:

  • What ignited the character change and/or personality shift in Bernard?
  • What is the equivalent of soma in the modern/current world; or is there an equivalent?
  • What do you think is the connotative meaning that Huxley was aiming towards when he called John a "savage" more than his actual name?
  • Why do you think Huxley named the society and the societal culture and value "Brave New World"?
  • Overall, describe the relationship between the theme and the tone of the book.

Friday, February 27, 2015

LITERATURE ANALYSIS #2: THE KITE RUNNER BY KHALED HOSSEINI

1) Briefly summarize the plot of the novel you read according to elements of plot that you've learned in the past courses. Explain how the narrative fulfills the author's purpose.
a) Introduction/Exposition: The novel begins with a phone call to Amir, the narrator, from an old friend of his asking him to meet him and telling him how there's still hope for him to change for the better. The novel then begins to go in a flashback of Amir's story.
b) Rising Action: The story then proceeds in the flashback leading up to an event in the winter which changed the life of every character. Later in the story, Afghanistan is taken over by Russians, followed by the Taliban. Amir and his dad moves to America.
c) Conflict: The entire story doesn't necessarily have an external conflict but an internal one. Amir suffers the guilt of ruining his friend's life and him being a coward.
d) Climax: Amir risked his own life to save his friend's son's life.
e) Falling Action: Amir struggles to bond with Sohrab, the son of Hassan - Amir's friend.
f) Resolution: Sohrab was finally able to agree to his growing and closing relationship of him and Amir.

The first person point of view of the story helps the readers to connect with Amir, the protagonist. The emotional ups-and-downs of Amir and his life allows the readers to witness his growth and maturation as a challenged character.

2) Succinctly describe the theme of the novel.
The biggest theme of the novel is betrayal. The betrayal of Amir towards Hassan; the betrayal of Amir's dad towards Amir; the betrayal of Assef towards the society of Afghanistan; the betrayal of Hassan's mother towards Hassan. The author uses this theme to indirectly characterize all the characters in the book.

4) Describe a minimum of ten literary elements/techniques you observed that strengthened your understanding of the author's purpose, the text's theme and/or your sense of the tone. For each, please include textual support to help illustrate the point for your readers.
1) Foreshadowing: "I thought of the life I had lived until the winter of 1975 came along and changed everything. And made me what I am today." (Pg:2)
2) Allusion: "The slingshot made a thwiiiiit sound when Sohrab released the cup." (Pg: 291) (Allusion to the Biblical story of David and Goliath.)
3) Imagery: "It looked like someone had stuck an air pump nozzle under my skin and had pumped away. My eyes were puffy and blue. The worst of it was my mouth, a grotesque blob of purple and red, all bruise and stitches... There were stitches across my left cheek, just under the chin, on the forehead just below the hairline." (Pg: 303-304)
4) Irony: "...I was learning that Baba had been a thief. And a thief of the worst kind, because the things he'd stolen had been scared: from me the right to know I had a brother, from Hassan his identity, and from Ali his honor." (Pg: 225)
5) Flashback: "Looking back now, I realize I have been peeking into that deserted alley for the last twenty-six years." (Pg: 1)
6) Onomatopoeia: "He killed the engine and we sat for a minute, listening to the tink-tink of the engine cooling off, neither one of us saying anything." (Pg; 273)
7) Metaphor: "He'd count them off on his fingers: America the brash savior, Britain, and Israel.... 'The rest of them-' he used to wave his hand and make a phht sound '-they're like gossiping old women.'" (Pg: 125)
8) Simile: "At least two dozen kites already hung in the sky, like paper sharks roaming for prey." (Pg: 63)
9) Characterization: "The boy had his father's round moon face, his pointy stub of a chin, his twisted, seashell ears, and the same slight frame. It was the Chinese doll face of my childhood, the face peering above fanned-out playing cards all those winter days, the face behind the mosquito net when we slept on the roof of my father's house in the summer." (Pg: 279)
10) Point of View: "There is a way to be good again. I looked up at those twin kites. I thought about Hassan. Thought about Baba. Ali. Kabul." (Pg: 2)


CHARACTERIZATION:

1) Describe two examples of direct characterization and two examples of indirect characterization. Why does the author use both approaches, and to what end?
Examples of direct characterization include: "I can still see Hassan up on that tree, sunlight flickering through the leaves on his almost perfectly round face, a face like a Chinese doll chiseled from hardwood: his flat, broad nose and slanting, narrow eyes like bamboo leaves, eyes that looked, depending on the light, gold, green, even sapphire." (Pg: 3) "...Even in birth, Hassan was true to his nature: he was incapable of hurting anyone." (Pg: 10)

Examples of indirect characterization include: "It should have been just the two of us - that was the way I wanted it - but by Wednesday night, Baba had managed to invite another two dozen people." (Pg: 82) "I opened my mouth, almost said something. Almost. The rest of my life might have turned out differently if I had. But I didn't. I just watched. Paralyzed." (Pg: 73)

The author uses more indirect characterization than direct characterization. By doing so, he's giving his readers an option to decide the personality of each character. It almost makes him seem unbiased because he gives the readers the option to decide who's guilty and of what.

2) Does the author's syntax and/or diction change when s/he focuses on character? How? Example(s)?
The author's syntax and diction remains almost the same because his point of view is first person. His tone of approach does change, changing the mood of the story, but his syntax and diction remains fairly constant.

3) Is the protagonist static or dynamic? Flat or round? Explain.
The protagonist is very much dynamic and round because he has an amazing transformation from a cowardly and disturbed young boy to a brave, sure, and matured adult. And he achieves this transformation through very much hardships and obstacles, just as a person in real life.

4) After reading the book did you come away feeling like you'd met a person or read a character? Analyze one textual example that illustrates your reaction.
I came away, feeling as if I met a reflection of me. Even though Amir did some things that I personally wouldn't have, I do understand his desperation to achieve his Baba's love, trust, and faith and his desperation to go at any lengths to achieve it. The Afghani culture is also very much similar to mine (Indian), so I could not only understand some of the Urdu words used by the author (similar to Hindi, national language of India), but I could also relate to the festivities and traditions of Muslims, seeming like jargon to many of the readers.

Tuesday, February 24, 2015

CHAPTER 3-4 "BRAVE NEW WORLD": NOTES


  • A connection between Huxley's style and the subject of his book.
  • Bekonovsky process - fictious human cloning process.
  • Difference between theory and practice: America is a "melting pot" vs. The reality of absence of that level of mixture in the country for the immigrants.
  • Huxley's point: we haven't lost humanity yet but if we are not careful, this is what happens.
  • Modern society: even though differences are acknowledged, some form of technology and the intelligence exceed those of human capabilities and knowledge; creepy and necessity of compassionate.
  • Who's in charge, who has most power and position.
  • The sense of "I'm still using that but it's not using me."
  • Assembly line of people
  • Necessity of a lifeline
  • There's only seven plot lines: all the books are reenactment of the same line.
  • Fragmentation: taking something whole and breaking it up into fragments.
  • The characters in the book aren't taught to relate.
  • Any science that the Director addresses is unknown to him in terms of understanding.

Tuesday, February 17, 2015

LITERARY TERMS # 6

Simile: A figure of speech comparing two essentially unlike things through the use of a specific word of comparison.
Soliloquy: An extended speech, usually in a drama, delivered by a character alone on stage.
Spiritual: A folk song, usually on a religious theme.
Speaker: A narrator, the one speaking.
Stereotype: Cliché; a simplified, standardized conception with a special meaning and appeal for members of a group; a formula story.
Stream of Consciousness: The style of writing that attempts to imitate the natural flow of a character’s thoughts, feelings, reflections, memories, and mental images, as the character experiences them.
Structure: The planned framework of a literary selection; its apparent organization.
Style: The manner of putting thoughts into words; a characteristic way of writing or speaking.
Subordination: The couching of less important ideas in less important  structures of language.
Surrealism: A style in literature and painting that stresses the subconscious or the nonrational aspects of man’s existence characterized by the juxtaposition of the bizarre and the banal.
Suspension of Disbelief: Suspend not believing in order to enjoy it.
Symbol: Something which stands for something else, yet has a meaning of its own.
Synesthesia: The use of one sense to convey the experience of another sense.
Synecdoche: Another form of name changing, in which a part stands for the whole.
Syntax: The arrangement and grammatical relations of words in a sentence.
Theme: Main idea of the story; its message(s).
Thesis: A proposition for consideration, especially one to be discussed and proved or disproved; the main idea.
Tone: The devices used to create the mood and atmosphere of a literary work; the author’s perceived point of view.
Tongue in Cheek: A type of humor in which the speaker feigns seriousness; a.k.a. “dry” or “dead pan.”
Tragedy: In literature: any composition with a somber theme carried to a disastrous conclusion; a fatal event; protagonist usually is heroic but tragically (fatally) flawed.
Understatement: Opposite of hyperbole; saying less than you mean for emphasis.
Vernacular: Everyday speech.
Voice: The textual features, such as diction and sentence structures, that convey a writer’s or speaker’s persona.
Zeitgeist: The feeling of a particular era in history.

ALDOUS HUXLEY


  • Aldous Huxley was born in a family of renowned scientists, his two brothers and grandfather. He was born on July 26, 1984 and died on November 22, 1963.
  • His grandfather was a naturalist, famously nicknamed as "Darwin's Bulldog."
  • He was mostly known as his novelist (his 5th novel "Brave New World") but he also wrote short stories, poetry, travelogues, and film scripts.
  • An interesting fact: Disney had rejected Huxley's screenplay of "Alice in Wonderland."
  • He was the kind of author, concerned about the potential harm of scientific discoveries and progress on mankind.
  • At the age of 20, he became an art critic, an official novelist, and publisher of poetry, and a journalist.
  • He finished "Brave New World" in four months; Hitler not a ruler at that time period.
  • Dies the same day as the assassination of President John F. Kennedy.
  • "New Age" schools would quote him and his "mystical writings and studies" and continues to do so.
Sources:
http://www.egs.edu/library/aldous-huxley/biography/
http://www.quirkbooks.com/post/happy-birthday-aldous-huxley-some-interesting-facts-about-his-life